Sound and light

Like many, you enjoy the fireworks ... but have you ever admired the colors in mind, and only the colors ???? They amaze and dazzle, with hidden effects, from “color symbols”.
And if these fireworks unite so many people at nightfall, is that the colors they emit left us all stunned… small or large.
We are amazed by the magic of chemistry, first. Bombs, blaze, bouquets, suns to the famous waterfalls and grand finale, These fireworks are all developed on the same principle of explosive combustion of a mixture of black powder, depending on the desired color, of chemicals like sodium for yellow, copper for blue, calcium nitrate to the orange or lithium for red.
Manufacturing processes which are obviously far from thinking of when you push “oh !” and “ah !” every spark of admiration. The lithium, do not forget …for red, is a trace element controller, if some depressive states ?
This shows us once again that the colors are related to the welfare, a way : those that relax, those that encourage and / or facilitate reflection. Be careful at home, your living space can condition your mood ! So you may as well compromise your well-being with bad associations… Because each color has its own power.
Indeed, each of them produces a condition for both our mental state and physical fitness. This is the purpose of chromotherapy. Almost impossible or, therefore, sleeping in a bedroom red : exciting color, course, the quality of your sleep and you wake up will suffer ! A hallway is painted black person who enters your home uncomfortable, the left…
There are different color schemes that can act on your emotions like on your body so favorable, that is able to provide you with form, serenity and tranquility.
The relaxing colors are blue and its variations chromatic, who prefer the peace and contemplation in a bedroom, to relieve stress and tensions during the day.
The temperatures are green and its various derivatives, that bring freshness. It is a color transition, location between two different spaces. For example, it can be used to paint the walls of a hallway between the living room and bedrooms.
The benefactors are the range of beiges, decline associated with many tones, become a source of comfort, contributing to your well-being for relaxation and relaxation. It is used for the walls of a room to emphasize the fun and feel, sharing and communication.
Tranquilizers are green and blue, pastels, carrying on the body a soothing effect. They are ideal colors for nursery, which will ensure rest, peace and quiet.
The colors are relaxing salmon, or orange, reassuring tones that are immediately at ease. They are used so happy for kitchens or entries. They help the body relax and… put in appetite. You will notice the growing number of eating establishments that choose these tones then to seduce their customers.
And if the colors were all in all your fertility than yours ?
If you learn to surround yourself with colors beneficial, in defiance of fashion imposed upon us in the catalogs ...
This chromaticism is unique to you, stick to it.
Do these two tests ! this one and that one
It speaks also of chromatic, to define the color palette, but this term is also used in music !
The Greek khrôma, “color, ton musical”, chromaticism is the use of notes not belonging to the diatonic scale base with a piece, it divides into major scale : do re mi is the only one (do) and minor scale : The sun makes you do re mi (the).
The sound color is obtained by raising or lowering of a note a half tone of the diatonic scale base. For example, one passes, of sun to sol diese in the C major scale. Chromaticism is especially with the “tempered system” (very popular during the Baroque period, 1600-1750) where the semitones of a range are equal : they note sharp, B natural and B flat. It gives more color to the melody and can modulate, that is to say, to move from one tone to another.
We find the origin of chromaticism in the Greek music and the altered notes of Gregorian chant and medieval polyphony. It greatly enriches the writing of the Baroque.
Bach uses “pass marks”.
Among the Classics, as Mozart, chromaticism writing Ornaments.
The Romantics, Wagner and especially, exploit it to climax, looking for rich harmonies, expressive and vibrant gradually distorting the sense of tone. Wagner is still certainly not the inventor but, as Liszt, it systematizes the function.
Since the dawn of time, Music is omnipresent in all human cultures. Such ubiquity suggests at once the existence of natural musical ability, shared by all of mankind, promoting both social cohesion and intercultural communication. The capacity of this medium to induce emotional responses is certainly no stranger to the universality of the musical phenomenon.
Does not qualify there be not the universal language of music emotions?
It is the preferred: despite cultural variations, facial configurations expressing emotions such as joy, disgust, The colère, are universally recognized, and this regardless of age, sex or ethnic origin of the issuer.
Despite this historical bias towards the visual interface, the thesis of universal biological origin of musical emotions is more relevant than ever. Indeed, recent years, remarkable progress has been realistic in neuroscience of music. The existence of a human brain circuitry specifically dedicated to the processing of musical stimuli, previously suspected, is now in the process of confirmation.
This brain circuitry dedicated exclusively to the music behind it all the emotions listed as biologically ? So, relations, music emotions are they spontaneously arrested, using natural predispositions ? Or conversely, these relationships are they culturally acquired ? Or ... why not both ? Such learning may be the result of a long passive exposure to music of their own culture, or to the explicit teaching of formal rules to a music system.
Therefore, if exposed to the low music of a given culture (young children, strangers to this culture), with no musical training, show a marked sensitivity to the emotional aspects of music representative of that culture, This considerably limits the scope of 

the thesis of the cultural background of musical emotions.


Table drawn mainly from the annexes to Pierre Alain Clerc, Discourse on musical rhetoric, and more particularly between German Rhetoric 1600 and 1750 (the intended use, M = m = Major and minor )
The design of temperaments that some tones do not appear (out # M, D b M such) or appear only in one of two authors).
M.A. Carpenter (1636-1704), Rules composition, Paris, 1690.
J.P. Branch (1683-1764) Treaty of Harmony chap-. 24, second book, Paris, 1722
Chr. Fr. D. Schubart (1739-1791), Ideas about the aesthetics of music, Vienna, 1806
Do M
Gay Warrior.
Insolent character. Festivities. It gives vent to his joy.
Song of joy and gratitude (A major or D as).
Perfectly pure. Innocence, naivety, Eventually charming and tender language of children.
Do m
Dark and sad.
Especially nice, charming, but also sad, sorry. Fits easily to drowsiness. Bereavement or caressing sensation.
Suitable for tenderness and complaints (as F minor)
Declaration of love, and at the same time complaining of unhappy love.






Re M
Happy and very warrior.
Piquant, bright, bright, stubborn, obstinate, noisy, funny, warrior, stimulant. Event. delicate. Trumpets and timpani.
cf. C major
Your triumphs, of Alleluias, war cries and joy of victory.
Re m
Serious and devout.
Event. Entertaining, fluid but not hopping. Tone of things in church and community life, the tranquility of the soul.
Suitable for the sweetness and tenderness (as shades of Sol, SI and E minor).
Nature of dark brooding female spleen and dark thoughts.
Mi b M
Cruel and hard.
Very pathetic. Never serious or plaintive or exuberant.
Tone of devotion, conversation with God. Expression of the Trinity with its three flats.
M b m
Horrible, awful.
Feeling anxious, disorder of the soul, of despair.
Mi M
Quarrels and screaming.
Sad desperate and deadly, desperate love. Fatal separation of body and soul. Sharp, pressing.
Suitable for soft songs and gays, or the great and beautiful.
Noisy joy. Happy smiling but full enjoyment.






Mi m
Effeminate, love and plaintive.
Deep thought. Trouble and sorrow, but so we hope the consolation : something cheerful , but not gay.
cf. D minor
Declaration of love naive woman, innocent. Complaint without murmurs accompanied by few tears.
Fa M
Furious and won.
Magnanimity, firmness, perseverance, love, virtue, ease. We can not better describe the wisdom, the kindness of this tone than by comparing it to a man beautiful, who manages everything he does as fast
suitable for storms, the furies, and other subjects of this species (as Bb major).
Complacency, rest.
Fa m
Dark and plaintive.
resigned but deep and moderate and heavy. Doubt. Produces a deep melancholy and desperate and immerses listeners in the gray and scary.
Suitable for tenderness and complaints (cf. C minor)
Melancholy, languor of the grave.
Ago # M
Triumph over adversity. We breathe freely on the top of the hill.
Ago # m
Grand trouble, rather languid and love. Something dropped, Solitaire, the misanthrope. Ton obscur. Torn passion as a dog snarling drapery.
Ton obscur. Torn passion as a dog snarling drapery.
Sun M
Gently merry.
Many insinuation, de bagout, of brilliant. Suitable for both serious things as gay.
cf. MI majeur
Rural, idyllic. Affectionate gratitude for true friendship and faithful love.
Sol m
Serious and beautiful. Mixes serious affection of the previous warning, but also provides grace and charm. Things tender or invigorating ; complaints moderate joy tempered. G minor is extremely flexible.
cf. D minor
Discontent, discomfort. Irritated for a failed project, champing at the bit in a bad mood.
La b M
Tone of the gravedigger, dead, decomposition, trial, eternity.
Sun # m
Morose, grumpy, heavy heart to the choking.
The M
Happy and rural.
This tone should enter. It shines immediately, and for the passions that plaintive and sad for entertainment.
cf. C or D major
This contains your declarations of love innocent, hope ; It is particularly suited to the violin. Revisit the beloved, gay youth, trust / God.






The m
Tender and plaintive.
Looks sumptuous and severe. Also directed to flattery. Par still, very moderate, some plaintive, decent (respectable), quiet, inviting even to sleep. Can be used for all movements of the soul. He is moderate and mild for the public.
Nature of devout woman and meekness.
Si b M
Beautiful and happy.
Entertaining and sumptuous. And modest.
cf. Major FA above
Playful love, good conscience, hope, looks to a better world.
Si b m
Dark and terrible.
Which gruff one original rarely takes a complacent mine ; mocks God and the world. Prepare to suicide.
Si M
Hard and plaintive.
Annoying character, Hard and unpleasant, and more, something desperate. It is little used.
Colorful, fierce passions : anger, fury, jealousy, delirium, despair.
Si m
Lonely and sad. Bizarre, moody and melancholy : that is why it is so rarely. And perhaps also why the ancients had banished from their monasteries.
cf. D minor
Patience, quiet waiting its fate, and resignation to the will of God. His complaint is so soft that it never broke or murmurs wailing offensive.

The design of temperaments that some tones do not appear (out # M, D b M such) or appear only in one of two authors).

Rameau also give a characterization of tones in Treaty of Harmony, Paris, and 1722. Advocate of equal temperament at the end of his life, He denies the previous distinctions, saying that there are only two modes, the major and minor.






The major mode
Out, The D or suitable for songs of joy and gratitude.
F or B flat suitable for storms, the furies and other topics of this species.
Mi Sol or are also suitable for soft songs and gays;
Re, The Mi agree or even the great and beautiful.
The minor
Re, Sun, One, Mi agree with the sweetness and tenderness.
C or F are suitable for the tenderness and complaints.
F or B flat suitable for wailing.

We can consider today that listening "sensitive" to certain parts affect our mood ... in some states of "blackness", it would be better, therefore, prefer tones "tonic",is the subject of music therapy.
When the musical instrument comes to the aid of words that can not be imposed…
Active music therapy, musical instrument will be the voice of the patient. Primarily intended for people experiencing great difficulty in verbalizing, this therapy to explore and open new channels of communication. The patient, child or adult, in groups or individually, was invited to speak through a musical instrument. With the therapist, It then attempts to make sense of the rhythms he produced .
In contrast to active music therapy, receptive music therapy is a passive.
The goal here is to make more music, but to listen. The mediator then n'st more musical instrument, but the ear…Receptive music therapy is available in two forms :
  • a free-field listening (music played in confined spaces)
  • a headphone
Principle ?
Listening to soundtracks for therapeutic.
The test listening reflects the emotional state of the patient. It allows to determine the hearing threshold of each frequency. The results will decline as curves (audiogram).
The tips (hyper audition) and hollow (hypo audition) reveal the psychological and physical state of the patient at time of testing. It unmasks and anxiety, depression, the feeling of abandonment, lack of confidence, emotional dependence, the arousal ...
This test therefore becomes crucial to make adjustments sonic treatment.
The aim of the course of music therapy is to smooth the curve of the audiogram.
Frequencies hyper sensitive (tips) will be laid to rest, while the frequency hypo sensitive (hollow) will be stimulated.
These settings will be added to a toggle effect bass / treble and left / right. The music will be transformed and re-educate the nervous system naturally and listening.
10 individual sessions of thirty minutes at one or two sessions per day for ten to twenty consecutive days will be recommended.
Each session is accompanied by a psychotherapeutic support. We play music, Classical, du jazz, varieties, World Music…
The musical program will be different for each session. It will leave you calm.
Finally, the Christian conception of music, born from the harmony of the spheres , reaffirmed by KEPLER (“Multiple reflection of the stars playing the melody and the nature of sublunary dance to the music“) is indeed a reflection of theories prevalent in the seventhth century, but from the ancient.
In fact, the theory of harmony of the spheres goes back to the Greek philosopher Pythagoras, for whom the whole universe was defined in terms of harmony and number.
In his, the soul macroscopic and microscopic universe are built according to reports ideals of proportion which can be reduced to a sequence of sounds. We calculate the height of the planetary different notes on the musical scale from the time that the planets began to go their orbit and they put the distances in relation to the intervals of tone. For example, Earth is symbolized, by DO, the moons, the ER .... in terms of known planets at that time.
In the Middle- Age, especially in heraldry, flag bearer of families, are associated planets color, but also to their stone : We find the number 7, and the feelings associated with it.


The use of stone, is as old as humanity. We can simply understand the energy contained in a stone : In fact we use every day of quartz to vibrate at certain frequencies and thus run our watches and computers, for example.
Similarly each stone has a specific color in a shade. Or a color, corresponds to a wavelength perfectly measurable. Minerals and precious stones that can be found in need of some millions of years to be, so, we talk about energy original and pure radiation.
Precious stones have a tendency to constantly raise our attraction, based on the principle of resonance, harmony and balance swings. Gems act at different levels :

First of all the physical (organic) directly into the fine structure of our organization, the radiation emitted by the stone affects the vibrations of our body. They act consistently against all disharmonies that confine ourselves. Thus man can by vibrations of gemstones help to the full harmony of body.

A relationship that occurs between the individual and the stone. We are attracted to one or more stones accurate, there is much in this case a close relationship between stone and spirit. When we are attracted to a color or a stone, a positive effect occurs in us.

Therefore, why not always a stone in her pocket you might touch during the day ....





Blason Albret

Mouth : (red)
Planet : March
Stone : ruby
Symbolic : desire to serve his country, love

Money : (white)
Planet : Moon
Stone : perle
Symbolic : wisdom, wealth

Or :
Planet : the Sun
Stone : The Topaz
Symbolic : nobility, intelligence, virtue

Purple : (violet purple)
Planet : Mercury
Stone : amethyst
Symbolic : largesse, sovereignty

Blue : (blue)
Planet : Jupiter
Stone : sapphire
Symbolic : loyalty, perseverance, loyalty

Sand : (black)
Lanett : Saturn
Stone : diamond
Symbolic : sadness, humility

Vert : (green)
Planet : Venus
Stone : emerald
Symbolic : freedom, joy, health, hope, honor



The conclusion of this presentation ?????

Well ... .. if you circle of colors that suit you, both dress in your living space ... ?

And if you focus your moods through Music ?

For you to think about it .... And good sound and light festival !

Written by Domipiano on "Fertility, LDCs and Bio "


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